YCSC Robot Stories Chat

 

Greg Pak shares Robot Stories: science fiction from the Heart
8 March 2004

HOLLYWOOD HILLS. Yalie filmmaker Greg Pak shared his Robot Stories and other short films to help promote the film's LA deubt March 12 at Laemmle's Fairfax and Pasadena.

Robot Stories has appeared in more than 50 film festivals internationally, from Slamdance and South by Southwest to festivals in London and Athens. It has won more than 23 awards.

Robot Stories portrays science fiction from the heart in four segments:

  • My Robot Baby: A couple must care for a robot baby before adopting a human child
  • The Robot Fixer: A mother tries to connect with her dying son by completing his toy robot collection
  • Machine Love: An office worker android learns that he, too, needs love; and
  • Clay: An old sculptor must choose between natural death and digital immortality

"I grew up reading Ray Bradbury short stories, watching The Twilight Zone, and playing with toy robots," Gerg said. "Science fiction is an ingrained part of me - it's virtually in my blood. But I've always most loved science fiction from the heart - stories like Bradbury's which deal with deeply human relationships and stories against a fantastic background."

Greg studied political science at Yale University, history at Oxford University as a Rhodes Scholar, and film production at the NYU graduate film program. He did some political work for Ann Richards' campaign in Texas. He soon realized that something creative was missing, so he left politics to explore filmmaking.

Greg commented on casting an Asian American cast in these hi-tech stories.

"We cast Robot Stories with a predominately Asian American cast largely because I always saw the stories that way in my head," he said. "The stories have nothing on the surface to do with race and ethnicity. But as a biracial Korean American filmmaker, I always felt that certain nuances of the characters would be enhanced by casting the film as we did. I wanted to cast the robots in the third story with half-Asian actors. I think that when people make androids, they'll make them look racially ambiguous, hoping they'll fit in to as many different situations as possible."

In fact, Greg shows his acting skills in the third story in which he plays an android office worker outcast by co-workers.

Greg edits FilmHelp.com and AsianAmericanFilm.com. He was the cinematographer of The Personals, an Academy Award winning short documentary, and was named one of 25 New Faces in Independent Film by Filmmaker Magazine. He is represented by Kara Baker-Young of the Gersh Agency, New York.

Robot Stories debuts March 12-18 in Los Angeles at the Laemmle Fairfax (7907 Beverly Blvd.) and in Pasadena at Laemmle's One Colorado Cinemas (42 Miller Alley in Old Pasadena).

Visit http://www.Robotstories.net for more information about the film, show times, etc.


Greg Pak


Robot Stories Reviews

"Each of the stories, impeccably staged and acted, has just the right length... Never allowing preciousness or ponderousness to infuse the material, filmmaker Pak demonstrates a real talent for concise storytelling marked by poignancy and humor."
  - Frank Scheck, Hollywood Reporter

"Strong thesping by a largely Asian American cast and clever sci-fi concepts... Helmer Greg Pak understands the short form well, mercifully avoiding blatant O. Henry twists while pulling off neat reversals of expertly set-up genre expectations."
  - Ronnie Scheib, Variety

"Mr. Pak's stylized stoicism is discernible in 'Machine Love,' the segment in which he can be seen as Archie, an android office worker who gamely endures the ridicule of the other drones around him because of his single-mindedness. With a clever economy of means, 'Machine Love' conveys the blooming of feelings inside the android, who is slowly developing an attachment to a woman who works nearby. The director is using the material to joke about the coldness of humanity and the intimidating power of loneliness."
  - Elvis Mitchell, New York Times

"Extremely powerful. The writing has a real simplicity that I thought was all the more remarkable for how powerful the films really are. There might be just one simple line or image which carries tremendous emotional impact."
  - Jean Oppenheimer, Film Week, 89.3 KPCC LA

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